Impress : print making expanded in contemporary art

Intriguing exhibition at the Courtauld Gallery looking at how contemporary artists have used print techniques.  The show was curated by the students on the MA is curating course at the Courtauld Institute.

The show began be redefining what a print was and described it as now the exertion of pressure to create an image and there were some fascinating examples. I loved Mona Hatoum’s “+ and -” which was a tray of sand over which an arm with one serrated edge and one flat one rotated. This meant that in turn half the sand was ridged and half flat but this was constantly changing. I also liked Richard Long’s “A Line Made by Walking” which was a photo of the ‘print’ his footsteps had made by repeatedly walking across a field.

However my favourite had to be Tim Mara’s “Cane Chair”. On one piece of paper was a picture of a chair, a picture of how a cane seat was made, an imprint of a cane chair seat and a photo of a bottom which had been sitting on the chair and the imprint which had been left in said bottom!

 

 

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