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Showing posts from September, 2007

Treasures from the London Clubs

Exhibition at the Royal Society of Medicine Library of items from the London Clubs and other members of the Association of Pall Mall Libraries (APML). I have to say it’s excellent because my library (Royal Institution of Chartered Surveyors) has lent three items . Ten of us went to the opening party on Thursday night and had a great evening. The exhibition was opened by the author A.N. Wilson introduced by Ian Snowley, President of APML and Cilip and the wine flowed freely! Of course I think our items are highlights but must admit they can’t match up to a stuffed penguin from Scott’s final expedition. He stands presiding over the proceedings with his head at a rather jaunty angle! Reviews Time Out

The Spanish Civil War : An exhibition of Magnum Agency photographs

Small exhibition at Charleston Farmhouse to commemorate the 70th anniversary of Julian Bell’s death on the 18th July 1937 while driving an ambulance during the Battle of Brunete in the Spanish Civil War. This is a collaborative exhibition with Photoworks and Magnum Photos will includes images by Magnum co-founder Robert Capa and his lover Gerda Taro, who was killed just 9 days after Julian. It includes some very moving pictures but is a very small exhibition and could do with a bit more explanation. It’s a nice taster but I was left wanting more.

Giant woman

Going through Victoria Station on Friday night I spotted a headline in the standard promising art on the station concourse so of course I went to look. By the escalator up the shops I found a statue of a giant woman with her head in a photo booth. Further reading of the Standard told me it is by Louis Molloy, David Beckham’s tattooist. Its advertising a new reality TV show and there is another statue at Tower Bridge of a swimmer. I’m all for a bit more public art and anything to brighten up a Friday night.

Fragonard’s “Fountain of love”

Very small exhibition at the Wallace collection bringing together two versions of this picture, one from their own collection and one from the Getty. They were probable painted in the same year and this was the first time they had been together since they had been in the studio. Conservation work for this exhibition has shown the Getty one to be the first as the under drawing shows signs of the composition changing whereas the other does not and shows more clarity in the finish. Reviews Guardian

Renaissance Silver from the Schroder Collection

Exhibition at The Wallace Collection of silver collected by two generations of the Schroder family between 1870 and 1930. Mainly German renaissance in origin the first part of the exhibition focused on English and Continental domestic silver including beautiful German stacking beakers which fitted perfectly one inside the other and a drinking cut in the form of a bear which looked rather like a demented hamster. The second room focused on silver for display and talked about the advent of kunstkammer or schatzkanner, art or treasure chambers, in houses to display precious objects. These were said to be the forerunner of museums. The finest piece was a ewer in the shape of a ship complete with tiny enamel figures of solders, rowers and event a small party men eating dinner. Those men wore the Maltese cross as it was made for the order of St John in Germany. The exhibition was accompanies by a small display in the conservation galleries showing a mock up of a silver workshop explaining ho