Modigliani
Fantastic exhibition at Tate Modern looking at the life and work of Amedeo Modigliani.
Guardian
Telegraph
This exhibition
combined a chronological approach and theming very well and gave a view not only of the artist but also of a circle
of friends and fellow artists. I loved the opening section on his time in Paris
before the First World War where you can see him playing with different styles
and the influences of other artists. I loved a wall of four pictures of women
illustrating these different styles. I liked the film of Paris at this time
which really added to the atmosphere.
It was lovely to
have a room devoted to Modigliani’s sculpture as his original intention was to
be a sculptor. The room focused on female head studies and again showed a
variety of styles. I liked the more minimal works with flat eyes.
My favourite room
looked at his friends in Paris at the start of the First World War which was
like being at a wonderful party at the time. Faces included Beatrice Hastings,
his mistress at the time, who sounds fascinating and I want to find out more
about her. My favorite picture in the show was in this room was of a beautiful
portrait of a young woman standing beside a door. It’s not known who she was
but from her dress and poise I felt she was an artist.
It wasn’t until
the eighth room what we got the flat faced female nudes that Modigliani is most
known for. These in fact only made up 10% of his output. I love the fact he
hints at the status of the women by their jewelry and the fact they reflect a
new sense of independence for women earning a living by modelling. It was
interesting to see some of the identified.
The last room was
poignant as it showed a small, close group of people who surrounded Modigliani
in the last year of his life, his wife, his agent and his agent’s wife. I found
the picture of his pregnant wife so sad as she killed herself just a few days
after his death and before the baby was born.
It was a lovely
touch for the first and last pictures in the show to be self-portraits and to
realise the show only covered 14 years of work.
Closes on 2 April
2018
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