Winslow Homer: North America, Europe and the Caribbean world

Comprehensive online course from the National Gallery examining aspects of their current Winslow Homer exhibition.

Over three weeks six speakers guided us through Homer’s life and work. Week one started with Chris Riopelle curator of the current show guiding us through it. I have heard him talk about it before but you learn something new each time. This was followed by John Fogg from the University of Birmingham talking about Homer’s experiences in the American Civil War and the effect on his art both during and after the war.

Week two took us to Europe with Frances Varley from the Courtauld leading us through what art Homer may have seen when he was in Paris in 1866 and how it influenced his work on his return. She saw this as a period of experimentation and recovery from the Civil War. We then moved to England and his time at Cullercoats with Christine Riding from the National Gallery placing the work in the context of his whole career and in the fashion for artists to work in working communities.

In the final week we moved to the Caribbean with Maggie Cao from the University of North Carolina to look at the significance of his work there and to look in detail at the lives of the black divers he studied there. She put his famous pictures “The Gulfstream” in the context of these trips. We ended with Chiara De Stefano from the National Gallery looking at the late sea pictures where Homer started to leave out figures and concentrate of the power of the sea and rocks.

This course gave more context for the pictures in the exhibition. I did intend popping back to take another look with all this knowledge, but I think I may have run out of time.



 

 

Comments

Post a Comment

Popular posts from this blog

Sky Arts Portrait Artist of the Year Exhibition 2019

Image
Delightful exhibition at Clarendon Fine Art showing pictures from the Sky Arts Portrait Artist of the Year TV series. I had loved the series which had set nine artists, both professional and amateur, to paint one of three celebrities. It then had a semi-final and final with them all looking at one sitter and in the final they also took on a commission. I loved the way you watched a picture build and how some were then made or spoiled by one stroke of paint.   Finding these pictures I knew so well in the flesh was therefore fascinating. None of them disappointed. My favourite artist from the final, Tom Mead, works looked just as good in real life if not better as you could see the detail. The show included his impressive self-portrait which he submitted to enter the competition, a wonderful fragmented picture of his reflection in a mirror giving a sense of movement. I loved that it included a large version of him and a miniature. His commission for the final of Jazzie B was
Read more

Thomas Becket: Murder and Making of a Saint

Image
Stunning exhibition at the British Museum on the life and afterlife of Thomas Becket. I studied Becket both at A Level and at university so I was really looking forward to this show and it did not disappoint. From walking in to see an old friend, the early Limoges casket showing the murder from the Victoria and Albert Museum, I was gripped. The show told the story well using fantastic objects and led you through his life, the murder, the political aftermath, his sainthood and miracles, and how Canterbury became a major pilgrimage site. It is hard to pick out the best objects as so many were wonderful. I loved that they had early copies of some of the five eyewitness accounts of the murder which made you fell you were almost touching the event. I liked the manuscript on his time in exile which was almost like a comic strip. How wonderful to get a 13th century font from Sweden which shows how far and how quickly the news that Henry II had integrated the murder spread. I think my
Read more

Courtauld summer school day 1

Image
Today has been my first day of this year’s week at the Courtauld Institute’s summer schools. This year I am doing “Painting in Renaissance Venice” which is being led by Michael Douglas-Scott. It was nice to see some familiar faces and there are at least five of us who did Michael’s course last year. Today has been two lectures. Firstly setting out the background of Venice in this period looking at how the city had set up a myth of itself, the role of the Doge. the nature of the Republic and the role of citizens. The second lecture looked at why the nature of Renaissance was different in Venice. There was still a sense of the coming of antiquity and humanism but in Venice it fused with the Gothic and Byzantine rather than replacing it. The day ended with a choice of gallery talks. I went to one on the second floor of the Courtauld on the coming of Modernism. In essence it looked at the Impressionists and discussed what they were reacting against and what themes they portrayed. All in a
Read more