Cézanne Portraits
Charming exhibition at the National Portrait Gallery focusing on the portraits of
Cezanne.
Closed on 11 February 2018
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Cezanne didn’t
accept payment for portraits or work on commission, he just painted people who
interested him. I was hooked from the first striking picture opposite the
entrance of his father reading framed by a white chair. The show was quite
sparsely hung, so even though it was popular, there was room to walk round and
see the pictures properly, not just close up but also across the room to get
the full effect.
I liked his
repetition of sitters so you could see them at different ages and in different
moods, such as the set of his Uncle Dominique which were unknown until Cezanne’s
death as they weren’t sold. I also liked the pictures of his wife throughout
the show from soon after he met her when she was 19. And of course he often
used himself as the subject and there were self-portraits scattered around the
show.
The show was very
good at explaining Cezanne’s technique of using constructive brushstrokes ie
patches of colour applied in parallel to create shades and shape.
I loved the last
room which showed his portraits of the people of Aix alongside people from the
art world. It was interesting to see the pictures of local men who then appear
in the card player scenes and moving that the last two pictures were of his
gardener inside and outside the studio.
Closed on 11 February 2018
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