Fiona Banner selects from the V-A-C Collection: Stamp Out Photographie

Annoying exhibition/installation at the Whitechapel Gallery of works chosen by British artist Fiona Banner from the V-A-C Collection from Moscow. This is one in a series of shows spotlighting rarely seen collections from around the world.

The blurb says the show was exploring the blurred lines between photography and painting but I must admit I didn’t get that when I was at the show. The show used an interesting light effect with the room changing colour and changing from dark to light however in the dark phase and some of the colours you could see the pictures properly! I have a particular gripe that a Monet (which I guess is rarely seen as it’s in this collection) was hung high up and was impossible to see in the strange light.

Another gripe is that, as with the last show I saw in this series, the commentary is in very small print, quite low down, in a door way! In fact in this show there was a work in the next room so it was a doorway that was being used. When this is the only place you can find out what the pictures are it was very inconvenient. I also found myself having to go back to it as in this context you wanted to see a picture then find out what it was not read about it and then go hunting. I’m sure I suggested it last time but how about a cheap handout for this type of show?

Comments

Post a Comment

Popular posts from this blog

Sky Arts Portrait Artist of the Year Exhibition 2019

Image
Delightful exhibition at Clarendon Fine Art showing pictures from the Sky Arts Portrait Artist of the Year TV series. I had loved the series which had set nine artists, both professional and amateur, to paint one of three celebrities. It then had a semi-final and final with them all looking at one sitter and in the final they also took on a commission. I loved the way you watched a picture build and how some were then made or spoiled by one stroke of paint.   Finding these pictures I knew so well in the flesh was therefore fascinating. None of them disappointed. My favourite artist from the final, Tom Mead, works looked just as good in real life if not better as you could see the detail. The show included his impressive self-portrait which he submitted to enter the competition, a wonderful fragmented picture of his reflection in a mirror giving a sense of movement. I loved that it included a large version of him and a miniature. His commission for the final of Jazzie B was
Read more

Thomas Becket: Murder and Making of a Saint

Image
Stunning exhibition at the British Museum on the life and afterlife of Thomas Becket. I studied Becket both at A Level and at university so I was really looking forward to this show and it did not disappoint. From walking in to see an old friend, the early Limoges casket showing the murder from the Victoria and Albert Museum, I was gripped. The show told the story well using fantastic objects and led you through his life, the murder, the political aftermath, his sainthood and miracles, and how Canterbury became a major pilgrimage site. It is hard to pick out the best objects as so many were wonderful. I loved that they had early copies of some of the five eyewitness accounts of the murder which made you fell you were almost touching the event. I liked the manuscript on his time in exile which was almost like a comic strip. How wonderful to get a 13th century font from Sweden which shows how far and how quickly the news that Henry II had integrated the murder spread. I think my
Read more

Courtauld summer school day 1

Image
Today has been my first day of this year’s week at the Courtauld Institute’s summer schools. This year I am doing “Painting in Renaissance Venice” which is being led by Michael Douglas-Scott. It was nice to see some familiar faces and there are at least five of us who did Michael’s course last year. Today has been two lectures. Firstly setting out the background of Venice in this period looking at how the city had set up a myth of itself, the role of the Doge. the nature of the Republic and the role of citizens. The second lecture looked at why the nature of Renaissance was different in Venice. There was still a sense of the coming of antiquity and humanism but in Venice it fused with the Gothic and Byzantine rather than replacing it. The day ended with a choice of gallery talks. I went to one on the second floor of the Courtauld on the coming of Modernism. In essence it looked at the Impressionists and discussed what they were reacting against and what themes they portrayed. All in a
Read more