Grayson Perry: The Most Popular Art Exhibition Ever!
Wonderful exhibition at the Serpentine Gallery of new work by Grayson Perry.
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OK I admit, like most
of middle class England, I am a huge fan of Grayson Perry and this show didn’t
disappoint. Just as the other show at the Serpentine was not about my tribe
this one definitely was. The show looked at how we can widen the audience for
art without dumbing down and what makes art and the idea of an artist popular.
The first room
did this most directly and I loved a vase called “Visitor Figures” which looked
at the most popular exhibitions in recent times. I was pleased I’d been to
quite a few but picking the list of the vase did make you think about how shows
influence taste and thinking. I loved
the large woodcut “Reclining Artist” with a naked self-portrait with him
surrounded by his possessions including piles of books.
In the next room
I loved “Death of a Working Hero” a tapestry in the style of a miners union
using the funeral of a miner to represent the death of the industry and the
changes to those communities.
The main room was
works examining Brexit with two vases looking at those who voted leave and
remain. These were shown with a huge new tapestry looking at the current state
of Britain including a burnt out car in a field, lorries heading out of the
Chanel Tunnel and ghostly images of patchwork underneath. It reminded me of the
Good and Bad government fresco in Sienna.
The final room
included the motorbike Perry designed and used on one of his recent series
including the little seat on the back for his teddy bear. There was also a
piece called “Marriage Shrine”, a take on a roadside shrine but images of him
and his wife and objects that are significant to them.
Closes on 10
September 2017
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