Civic Pride and Private Pleasures: The Flowering of Painting in 17th-century Holland

Excellent seven-week online course from the National Gallery looking at painting in 17th century Holland.

Lydia Bauman, artist and art historian, led us clearly through a series to themes with enough repetition to embed ideas while still making all the sessions feel fresh. She began giving an overview of the economics and society of the time to give context. She explained why she didn’t want to use the more usually descriptor of the period as “The Dutch Golden Age” as it wasn’t golden for people whose lands the Dutch colonised.

The second week was also a useful overview of how artists worked paying particular attention to the different genre specialisms. She discussed how, with the rise of the Protestant religion in the region, the church was no longer commissioning art so artists had to start to work for the open market rather than to commission.

In later weeks we looked at themes ranging from portraiture with a focus on the recent Frans Hals exhibition, the role of the home and family, public life and the role of drinking and music.

In the final week she pulled this all together by looking at the use of symbols and body language to give deeper or more ambiguous meanings to pictures.

This was a comprehensive overview of this distinct period in art history and I gained a much better understanding of the nuances in the pictures which can be easy to dismiss as domestic works. 



Comments

Post a Comment

Popular posts from this blog

Sky Arts Portrait Artist of the Year Exhibition 2019

Image
Delightful exhibition at Clarendon Fine Art showing pictures from the Sky Arts Portrait Artist of the Year TV series. I had loved the series which had set nine artists, both professional and amateur, to paint one of three celebrities. It then had a semi-final and final with them all looking at one sitter and in the final they also took on a commission. I loved the way you watched a picture build and how some were then made or spoiled by one stroke of paint.   Finding these pictures I knew so well in the flesh was therefore fascinating. None of them disappointed. My favourite artist from the final, Tom Mead, works looked just as good in real life if not better as you could see the detail. The show included his impressive self-portrait which he submitted to enter the competition, a wonderful fragmented picture of his reflection in a mirror giving a sense of movement. I loved that it included a large version of him and a miniature. His commission for the final of Jazzie B was
Read more

Thomas Becket: Murder and Making of a Saint

Image
Stunning exhibition at the British Museum on the life and afterlife of Thomas Becket. I studied Becket both at A Level and at university so I was really looking forward to this show and it did not disappoint. From walking in to see an old friend, the early Limoges casket showing the murder from the Victoria and Albert Museum, I was gripped. The show told the story well using fantastic objects and led you through his life, the murder, the political aftermath, his sainthood and miracles, and how Canterbury became a major pilgrimage site. It is hard to pick out the best objects as so many were wonderful. I loved that they had early copies of some of the five eyewitness accounts of the murder which made you fell you were almost touching the event. I liked the manuscript on his time in exile which was almost like a comic strip. How wonderful to get a 13th century font from Sweden which shows how far and how quickly the news that Henry II had integrated the murder spread. I think my
Read more

Courtauld summer school day 1

Image
Today has been my first day of this year’s week at the Courtauld Institute’s summer schools. This year I am doing “Painting in Renaissance Venice” which is being led by Michael Douglas-Scott. It was nice to see some familiar faces and there are at least five of us who did Michael’s course last year. Today has been two lectures. Firstly setting out the background of Venice in this period looking at how the city had set up a myth of itself, the role of the Doge. the nature of the Republic and the role of citizens. The second lecture looked at why the nature of Renaissance was different in Venice. There was still a sense of the coming of antiquity and humanism but in Venice it fused with the Gothic and Byzantine rather than replacing it. The day ended with a choice of gallery talks. I went to one on the second floor of the Courtauld on the coming of Modernism. In essence it looked at the Impressionists and discussed what they were reacting against and what themes they portrayed. All in a
Read more