Known Unknowns
Strange show at
the Saatchi Gallery showcasing artists born between 1969 and 1990 from the
gallery’s collection.
OK I admit I’m not sure I understood much of this! I did buy the leaflet to try to get clues, as I know the Saatchi Gallery labels are very minimal, but I’m not sure I was much the wiser. A lot of the work just seemed to be bad painting which I’ve moaned about before. I’m really not sure I want to see a bad painting of a vomiting woman or pictures using almost “Are you Being Served?” style pussy jokes.
Tom Anholt’s layers pictures looking at Christian and Islamic art history emerged from the fog and I liked their Kaffe Fasset like use of colour and shape. Kirstine Roepstorff’s collages looking at male middle-class-dom also rose to the top with their small humorous details.
The only pieces I really liked were Francesca DiMattio’s ceramics fusing different traditions from 17th century china to mass-produced kitsch. They aim to disrupt traditional depictions of domestic space and femininity and I think I’d have understood some of that without the leaflet.
Closes on 24 June 2018
Review
Evening Standard
OK I admit I’m not sure I understood much of this! I did buy the leaflet to try to get clues, as I know the Saatchi Gallery labels are very minimal, but I’m not sure I was much the wiser. A lot of the work just seemed to be bad painting which I’ve moaned about before. I’m really not sure I want to see a bad painting of a vomiting woman or pictures using almost “Are you Being Served?” style pussy jokes.
Tom Anholt’s layers pictures looking at Christian and Islamic art history emerged from the fog and I liked their Kaffe Fasset like use of colour and shape. Kirstine Roepstorff’s collages looking at male middle-class-dom also rose to the top with their small humorous details.
The only pieces I really liked were Francesca DiMattio’s ceramics fusing different traditions from 17th century china to mass-produced kitsch. They aim to disrupt traditional depictions of domestic space and femininity and I think I’d have understood some of that without the leaflet.
Closes on 24 June 2018
Review
Evening Standard
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