Anselm Kiefer : Walhalla
Fantastic exhibition at White Cube, Bermondsey of new work by Anselm Kiefer.
Evening Standard
I loved the
contrast in this show between the dark, oppressive lead lined installation
areas and the bright white spaces for the large scale pictures. Your first view
was a dark dormitory with beds down the sides complete with lead bedding. Your
eye was drawn to the end a photograph of the back of figure walking away from
you. This was a really oppressive and yet beautiful space. The mood was
enhanced by the health and safety sheet you were handed before you went in to
warn you not to touch the lead!
Off this to the
right of this corridor were other dark installation spaces. I loved the room
which seemed to recreate his studio with lengths of film, more lead sheets,
burnt objects in safes and more things than your eye could take in.
If you turned
into the rooms to the left you were greeted by white spaces which a mix of
sculptures and large scale paintings. One room just had a spiral staircase up
the ceiling draped with strips of film and dresses hung from it on hangers.
Reading the information sheet now I find this is meant to be the moment the
Valkyries arrive at Valhalla with their robes discarded on the climb however,
as with the other installations in the show, you don’t to have the work
explained to find it interesting and beautiful.
I also loved the
large scale paintings largely with high towers in desolate landscapes and built
up not only in paint but also with layers of clay and shellac which give an
impression of a deteriorating, dissolving surface. These gave wonderful swaths
of colour in this otherwise grey and white show.
Closed on 12
February 2017.
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TelegraphEvening Standard
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