Sigmar Polke
Retrospective exhibition at Pallazzo Grassi of work by Sigmar Polke.
The building itself, with a courtyard in the middle, set up some lovely vistas across to pictures giving you a long view as well as close which really showed off the dot pictures well.
I had been to the
Tate Modern show a few years ago and not really liked Polke but this show gave
the pictures a bit more room to breathe and I understand them better and really
liked some of them. I’m not sure I really appreciated the skill in the dot
pictures before and that he painted on each dot or sometimes the space between
the dots to create a pale one, creating an image purely from these dots. The
most effective ones here were the Hermes Trismegistos series.
I loved some
later works created by putting powdered pigment on a canvas then shaking them
and adding water. They became a homage to pigment with wonderful organic shapes
in the paint. There was a great film at the start showing Polke working on one
of these works although as my friend pointed out we were literally watching a
film of paint drying!
There were also
three films Polke made while working on the German Pavilion at the 1986
Biennale shown simultaneously as an installation and a fun large magic lantern
style installation telling a dogs version of the Rake’s Progress.
The building itself, with a courtyard in the middle, set up some lovely vistas across to pictures giving you a long view as well as close which really showed off the dot pictures well.
Closes 6 November
2016
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