Introduction to art history

Brilliant four day course at the Courtauld Institute led by Anne Puetz and Clare Richardson which did what it said on the tin, provided an introduction to the study of art history.

Day 1 looked at what the different periods and isms were and how their styles distinguished them. It also looked at why it can be dangerous to try to shoehorn art into a definition. In the afternoon we went into the gallery and split into two groups to discuss the issues raised in the morning in front of the pictures.

Day 2 looked at artistic techniques and how paintings were made and the materials used also at the different genres of painting. In the afternoon again we split into two groups spending time in the conservation studio and the print and drawings room. I am always fascinated to see conservation work in action. I’d also never been to the Courtauld print room before and it was good to see new things and discuss the different uses of drawings and prints.

Day 3 was the most stimulating and looked at the disciple of art history and how different ways of studying it have developed. This was followed by a talk looking at the role of patronage and the art market. In the afternoon we went up to the gallery to have a close look at Manet’s “Bar at the Folies Bergere” and then went back to the classroom to discuss two articles we had been given in advance which looked at the picture in different ways, one in its social context and one purely as an object.

Day 4 looked in detail at the role of the museum and art gallery both in collecting and curating art and in conserving it. In the afternoon we discussed what we thought of the Medieval and Renaissance Galleries at the V&A and the recent rehang at Tate Britain, comparing their approaches.

This was a really enjoyable week of study and although, as I hope you can tell from this blog, I know quite a bit about art history already, it put things into order and gave me more to think about.

 

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