Nothing Beautiful Unless Useful
Delightful exhibition at the Whitechapel Gallery looking at the relationship between
industrialisation, art and social reform from 1880 to 1940.
The exhibition
focused on the Manchester Art Museum, Leeds Art Club and the Mass Observation
project and had many works from public collections in the North West. All three were fascinating but I think they
brought the Manchester Art Museum to life best. The idea was to open a gallery
in a working class area to educate and provide leisure. Realising a static
displays wouldn’t bring people on repeat visits they also organised a series of
talks and lectures.
As well as telling
these stories there were also some lovely works. I liked the design for a union
banner by Walter Crane, a stunning pencil portrait by Emily Ford and a sweet,
slightly Greek Eric Gill of two skaters.
The final section
picked up the idea that local museums often had a section on their local
industry so they included a section on cotton. It looked not only at how it was
made but also art works inspired by it such as a portrait of a mill girl. It
also included a strange book on cotton which combined rather dreary prints of
mills with colourful fairy and mermaid pictures!
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