24/7
Thought provoking exhibition at Somerset House looking how artists are responding to the non-stop
24/7 world and whether we are losing control of our natural rhythms.
I wasn’t always
sure what some of the displays were about but the show threw lots of ideas at
you to contemplate. I liked the mix of old and new exhibits such as a
photograph of a tower block at night with light blazing next to a painting by
Wright of Derby showing a factory lit by lamps at night to allow for night
working.
I liked a video
by Marcus Coates called “Self Portrait as Time” where he traces the seconds
hand of a watch with his finger giving the image that he is controlling time.
Also Esmerelda Kosmatopoulious’s installation of sculptures of fifteen pair of
hands in the shapes of using a mobile phone.
I loved s video
installation of films of workers leaving factories over four decades which
pointed out that this is the moment when work mates turn into social groups. However
my favourite piece was an installation at the end by Daily Tous les Jours “I
Heard There Was a Secret Chord” which encouraged played people for around the
world humming Leonard Cohen’s Hallelujah. I wasn’t brave enough to join in on
the microphones provided but couldn’t help quietly humming along. It was
calming and joyful.
I couldn’t resist
taking the photo shown here of the Big Brother chair from the first series
shown here in the section on surveillance.
Closes 23
February 2020
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