Early Italian Art 1250–1400: Little-Known Fresco Cycles from Pomposa to Trento
Excellent study day organised by the London Art History Society as the last in a series on
early Italian art focusing on lesser-known fresco cycles.
Other study days
in this summer series had looked at specific cities but this final session
swept up other art which wasn’t in those three major centres. We also had a
different lecturer for this session and Clare Ford-Wille took us on a lovely
tour of Northern Italy and added lots of towns to add to my list of places I
want to visit.
Most interesting
was her tour of the abbey at Pomposa which I had not come across before.
Various abbots had commissioned cycles to promote the church. Sadly none of the
artists are known but there seems to have been a fashion for depictions of the
Last Supper at circular tables.
We then looked at
cycles in Padua which are overshadowed by the amazing work by Giotto which we
had studied in the previous session. We started with the work of Giusto da
Menabuoi in Baptistery commissioned by Fina Buzzacarina, the wife of the city’s
ruler, who wanted to transform the space into a family mausoleum. We then moved onto the Oratory of St Giorgio
with scenes from the lives of St Lucy and St Catherine.
We ended by
looking at two wonderful secular cycle from the Saluzzo and Trento. One had a
wonderful wall devoted to the idea of a Fountain of Youth with wonderful old
figures transforming into youthful ones with Heroes and Heroines on the
opposite one. The heroines were like fashion plates. Another showed the labours
of the months like a giant Book of Hours.
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