The Tide


Disappointing new public space at the O2 at North Greenwich.

As a regular Thames Clipper user I’ve been diverted round these building works when walking to the O2 for at least two years so I was excited that the quicker path was going to reopen and be a park area with a high level walkway with river views. It is great to have the path back but when the Tide opened there still seemed to be a lot of building work going on and temporary barriers and sadly even Morag Myerscough’s bright murals “Siblings” couldn’t disguise the tube vent shafts. The whole area need tidying up a bit.

The high level walk way is quite fun but I’m not sure it gives much better views than from the riverbank and it was obvious from a sign that they’d already had some health and safety issue with raised sections and I spotted another accident waiting to happen with a run of shallow steps which looked like a slope as you set off from the top. I fear the effect will soon be ruined by yellow tape.

On the plus side this a fun space for new public art works. As well as the aforementioned Morag Myerscough’s murals there is a fun mermaid by Damian Hirst which had been part of his “Treasures of the Wreck of the Unbelievable” show in Venice.  Also a huge, bold Allen Jones work, an eight metre high abstract head which works well from the ground level and from the high walkway. When I went there was also a temporary work by Geronimo, 25 inflated droplet sculptures whose affect was spoilt by the paraphernalia needed to hold them in place.

Comments

Post a Comment

Popular posts from this blog

Sky Arts Portrait Artist of the Year Exhibition 2019

Image
Delightful exhibition at Clarendon Fine Art showing pictures from the Sky Arts Portrait Artist of the Year TV series. I had loved the series which had set nine artists, both professional and amateur, to paint one of three celebrities. It then had a semi-final and final with them all looking at one sitter and in the final they also took on a commission. I loved the way you watched a picture build and how some were then made or spoiled by one stroke of paint.   Finding these pictures I knew so well in the flesh was therefore fascinating. None of them disappointed. My favourite artist from the final, Tom Mead, works looked just as good in real life if not better as you could see the detail. The show included his impressive self-portrait which he submitted to enter the competition, a wonderful fragmented picture of his reflection in a mirror giving a sense of movement. I loved that it included a large version of him and a miniature. His commission for the final of Jazzie B was
Read more

Thomas Becket: Murder and Making of a Saint

Image
Stunning exhibition at the British Museum on the life and afterlife of Thomas Becket. I studied Becket both at A Level and at university so I was really looking forward to this show and it did not disappoint. From walking in to see an old friend, the early Limoges casket showing the murder from the Victoria and Albert Museum, I was gripped. The show told the story well using fantastic objects and led you through his life, the murder, the political aftermath, his sainthood and miracles, and how Canterbury became a major pilgrimage site. It is hard to pick out the best objects as so many were wonderful. I loved that they had early copies of some of the five eyewitness accounts of the murder which made you fell you were almost touching the event. I liked the manuscript on his time in exile which was almost like a comic strip. How wonderful to get a 13th century font from Sweden which shows how far and how quickly the news that Henry II had integrated the murder spread. I think my
Read more

Courtauld summer school day 1

Image
Today has been my first day of this year’s week at the Courtauld Institute’s summer schools. This year I am doing “Painting in Renaissance Venice” which is being led by Michael Douglas-Scott. It was nice to see some familiar faces and there are at least five of us who did Michael’s course last year. Today has been two lectures. Firstly setting out the background of Venice in this period looking at how the city had set up a myth of itself, the role of the Doge. the nature of the Republic and the role of citizens. The second lecture looked at why the nature of Renaissance was different in Venice. There was still a sense of the coming of antiquity and humanism but in Venice it fused with the Gothic and Byzantine rather than replacing it. The day ended with a choice of gallery talks. I went to one on the second floor of the Courtauld on the coming of Modernism. In essence it looked at the Impressionists and discussed what they were reacting against and what themes they portrayed. All in a
Read more