Emily Kam Kngwarray

Beautiful but impenetrable exhibition at Tate Modern looking at the indigenous Australian artist, Emily Kan Kngwarray. 

Given this art would be new to a lot of the audience who were viewing it I felt it could have been explained more clearly. It is only from looking at the website now that I realise the artist didn’t start producing art until her 70s and I never found a good explanation of her technique. The descriptions of the belief system behind the works and the concept of ‘Dreamers’ were confusing and relied on an acceptance of strange ideas rather than clear explanation.

Having said that I found the works themselves tranquil a
nd beautiful. They mainly consisted of dots of paint obscuring an image below. Some felt like maps. I loved the intense colours and how they reacted together. Inevitably to a European eye they make you think of Pointillism not helped by the fact there is a Pointillist show at the National Gallery at the moment.
 

The paintings were shown with her Batik work which gave an ethereal feel but led you to the conclusion of the work being about pattern rather than image.

I liked some later work in which she used lines of paint which represent dance.

Closed 11 January 2026


Reviews

Times

Guardian

Telegraph

Evening Standard


Comments

Popular posts from this blog

Sky Arts Portrait Artist of the Year Exhibition 2019

The Renaissance Nude

Tai Shan Schierenberg: Men Without Women