Birth, Love and Marriage in the Renaissance
Kate Devine and Marc Woodhead explained what a birth tray or Desco da Parto was ie a decorative tray used to carry food for a woman giving birth or lying in which were also used as decoration for the home. There often had pictures of mythical scenes to do with love, birth or marriage on one side and of babies or coats of arms on the reverse.
They then looked in detail at an example from the National Gallery’s collection by the workshop of Apollinio de Giovanni and Marco del Buono called The Triumph of Love from 1455-6. They explained how it was based on a poem by Petrarch and looked at how it both mirrored the story and differed from it.
In particular
they discussed the two figures of black African riders which are caricatures
which may represent universality or just reflect the make up of a court at the
time. They also looked at two strange images at the bottom of women who make
men look ridiculous or weak. Is that a comic role reversal for the women who
would see the piece?
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