Opera : Passion, Power, Politics
Lavish exhibition
at the Victoria and Albert Museum looking at the history of opera via seven
operas the cities they premiered in.
Telegraph
Evening Standard
I loved the fact
this show put the operas into their social and political contexts and that each
section had a similar rhythm with a contemporary map of the city, prints of the
opera houses and portraits of the main protagonist. I also like the large,
blackboard like fact board in each section which gave a simple outline of the
story and why the opera was ground-breaking.
It was great to
have the audio tour as this would have been a strange show without music
however I found it didn’t always trigger in the right places and in comparing
the experience with the other people I was with we had each missed certain
sections as we’d stood in different places.
Needless to say I
liked the earlier sections best as I preferred this music and they fell into
periods I love in art. The Venice section was luscious and focused the city as
one of entertainment focusing on L’Incoronazione de Poppea as the first public
opera. I also loved the section on London in 1711 looking at Handel and was
charmed to see a fan with the seating plan of the Theatre Royal Haymarket on
it.
Other magical
items around the show included the draft of Cherubini’s aria from Figaro in
Mozart’s own hand and the models of stage sets for the original production of
Lady Macbeth of Mtsehsk. I also liked Degas’s picture of the dancers in a 19th
century opera seen through the orchestra.
Closes on 25
February 2018.
Reviews
TimesTelegraph
Evening Standard
Comments