Regrets: Jasper Johns
Fascinating exhibition at the Courtauld of recent work by Jasper Johns.
Evening Standard
The exhibition
took you through the creative process behind the work really well. Their
inspiration had come from a crumbled photograph of Lucien Freud sitting on a
bed in Francis Bacon’s studio. Johns had sketched this then sketched the mirror
image of it adjoining it. From this a picture of skull emerges at the top of
the picture.
The series of
works based on this were really beautiful. If you looked hard you could see the
skull and the two images of Freud amongst the wonderful patchwork of paint
which looked a little like the cover on the bed. He included the torn section
as a void. In the largest more coloured canvas the whole effect was of a
baroque memorial in a church with the blank space for the eulogy, two figures
in mourning like pose on either side and a skull above.
The Regrets of
the title came from a reproduction on many of the works of Johns stamp he had
made for turning down invitations. It adds a humorous note while also adding to
the memento mori effect.
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