Scratch the Surface

Small Room 1 exhibition at the National Gallery to commemorate 200 years since the abolition of the slave trade bringing together "Mrs Oswald" by Zoffany and "Colonel Tarleton" by Reynolds to look at their and their families role in the trade.

Also looked at the role of slave trade money in art collection of the C18th and how those collections formed the foundation galleries such at the National itself. The initial core of the collection was given by John Julius Angerstein (of whom their is a portrait in the exhibition) who was instrumental in the development of LLoyds which profited from insuring slave ships amongst others and who also had shares in Caribbean plantations.

The Room 1 exhibition was complimented by new work by Yinka Shonibore MBE both in that gallery and Room 36 where the two main portraits usually hang, which explores the effects of the wealth created by the trade on society. The main work were two headless figures shooting birds with clothes mirroring that in the portraits but made of African inspired print material.

It was a great idea to invite a modern artist to react to historic works in this way. It added a new dimension which a stark small exhibition would not have on its own.

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Evening Standard

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