Cathy's Art Diary

Enlightening small exhibition at the British Museum of recently acquired drawings by the sculptor Edward Allington. Allington's work was inspired by a fascination with classical antiquity which is reflected in these works. Although known as a sculptor, drawing was at the heart of his practice and expertly links the drawings to known sculptural work. I loved the fact that some of the drawings were done on paper which he had recycled such as an old account ledger and a record shop inventory. Closes 25 January 2026

Charming small exhibition at the British Museum of portrait drawings by a group of late 17th century artists based in London who knew each other. The display marks the acquisition by the museum of drawings by Samuel Cooper and Richard Gibson and they are shown with other works by artists in their circle who include Sir Peter Lely, Charles Beale, son of Mary Beale, and Sir Godfrey Kneller. The images are of family members, friends and servants as well as fellow artists. Most touching was Cooper's drawing of his cousin's infant son who died at a few weeks old. I loved Gibson's delicate drawing of his son-in-law, Michael Rosse, a jeweller and Kneller's of the artist Hugh Howard who he trained with in Rome. Closes 25 January 20

Interesting exhibition at the British Museum looking at the origins and visual development of Jainism, Buddhism and Hinduism. I felt the show was wrongly titled as a lot wasn’t ancient. I thought I’d read somewhere that it was about how India influenced Greece and Rome but I should have paid more attention to the subtitle. However I liked the way the show began with ancient sculptures from the three religions and ended with contemporary ones.   There were some beautiful objects and it was well explained but, as ever in large British Museum shows, the low wordy labels created bottle necks not helped by people who’d opted for the large print booklets of labels still standing in front on the label to read the booklet!   It did make me muse on how art, like standard archetypal human stories, develops in a similar way everywhere. A lot of the art and sculpture from around 1000AD had a feel of Norman art and a lot of the iconography felt similar like the use of halos.  ...

Excellent online lecture from the National Gallery looking at art from the Tudor period. Aliki Braine interviewed Christina Farady, author of a book of the same title as the talk, as part of the Members’ Book Club series. Faraday explained how the Tudors hit a sweet spot in research terms and in the popular culture as they are strange enough to be a mystery but close enough for us to be able to find out more. She said the monarchs are iconic and identifiable “like face cards in a deck of cards”. She explained how she hopes the book fills a gap as she covers both paintings and objects and looks at art not just for the court but also for the newly rising middle class or Middling Sort. She explained the objects were more valuable than paintings at the time and had the advantage of being portable. She used this portrait of Margaret Beaufort to point out the sort of valuable objects they owned. Faraday also pointed out that the country wasn’t as isolated as we tend to think and talke...

Dry exhibition at the National Theatre looking at how they had performed Greek plays and how the theatre itself had been influenced by Greek theatre. I say dry as it was very text and av based. It would have benefited from a few more set models or costumes. The av wasn't displayed in an engaging way. It grouped 5 or 6 clips or interviews into a loop which took a lot time to watch while standing up in ear phones. I'm sure the content was excellent but it wasn't conducive to lingering. My favourite section looked at how the Olivier space is based on a Greek theatre design and how Sir Peter Hall, the first director, and Sir Denys Lasdun, the architect, visited theatres in Greece together for inspiration. The display marked the production "Bachaae" which I was there to see and really enjoyed. With that hindsight I realised I had got more form the display than I thought as I understood more about the work particularly about the role of music and movement in it. ...

Interesting exhibition at the Courtauld Gallery of abstract art since the 1950s. This display was prompted by the recent acquisition of a drawing by American sculptor, Alice Adams, and it traces the development of abstract art in this period throughout the Western World. A tough ask in a small space. I must admit I struggle with this type of abstract work but the show told the story clearly and I felt I knew more even if I didn't respond to the work. There was a good cross section of artists from Philip Guston to Gerard Richter. I did like this burnt work by Susan Schwalb where she burnt the paper with a candle then added precis lines with a copper stylus. Closed 12 October 2025

Clear and useful lecture at the Wallace Collection tracing Flemish art form Memling to Rubens. Richard Williams from the Royal Collection Trust used three works from the Wallace Collection, Memling’s “Angle with a Sword”, Pieter Pourbus’s “Allegory of True Love” and Rubens’ “The Holy Family with St Elizabeth and John the Baptist” to anchor the lecture over three sessions. He started with discussing what the Flemish tradition was and then looked at how Memling worked within this but also took it further. He looked at how Italian patrons commissioned work from him. He moved into the 16th century and looked at how Gossaert was influenced by his trip to Rome in 1508 with Philip of Burgundy. We looked at how more Italian art was appearing in Brussels such as the Raphael cartoons which were in the city at the time with the tapestry weavers and how this influenced artists. That session ended by looking at the Pourbus painting and the Italian and Humanist influences in it. The talk en...

Lively discussion in the Supporters’ House at the National Gallery looking at the influence of the world around him in Caravaggio’s art. Elizabeth Currie, who has written a book on clothing in Caravaggio’s art, joined Helen Langdon, a biographer of the artist to talk about some of his genre works painted in Rome. They outlined how there were two sides to the city at this time with a papal and cardinal’s courts existing alongside a disturbing underworld following an explosion in the population of the urban poor. Taking a selection of works they examined them in this context with Currie bringing insight into what the clothes tell us about the characters. This led to a fascinating discussion about feathers! My fact of the day is that the same material appears in the dress of “The Penitent Magdalene” and the lining of the man’s cloak in the second version of “The Fortune Teller” and that it may be ecclesiastical fabric.

Beautiful new commission for the Courtauld Gallery by Rachel Jones. The work consists of two large canvases made especially for the two chosen locations in the entrance foyer and ticket area. They are bright abstracts which contrast with and compliment the architecture of the space. Both are called Struck and are created in oil pastel on linen and evidently reference cartoons which I wouldn't have guessed. I love the light and colour they bring to the space and they create an inviting introduction to the building. No closing date given

Touching installation at the London Eye to celebrate women’s rugby and to mark England getting through to the World Cup final.   267 bespoke red roses make up the display in front of the Eye. On each red rose is the name of an England Red Roses player. The roses look striking en masse and it’s moving to read the names. I’m not sure I’d call it a trail but maybe the original plan was for different type of display. Anyway it sums up why it is always fun to wander round London. You never know what you’ll find. Closed 28 September 2025

Fabulous exhibition at the Royal Academy featuring work by Kerry James Marshall. This was clever, layered work and much more subtle that I’m imagined from just seeing images from it online. There was a deep awareness of art history that was used to reflect black experience and history. The labels were clearly written the explain the depth of the work and it introduced me to a variety of characters. Marshall had included a room of new work which reflected on the role of Africans in the slave trade which added a nuanced argument to the narrative. The works themselves were very painterly combining narrative with subtle details such as delicate still-lives and rather good dogs. Closes 18 January 2026 Reviews Times Guardian Telegraph Evening Standard

Strange exhibition at the Royal Academy taking the image and legacy of the Beatles as a starting point. The work was by three students from the schools, Jacob Bullen, Dandy Day and Mitch Bowles who examine themes of obsession, fandom, and personal memory via the Fab Four. It’s a striking display and appears to include archive material however from the blurb I sense some of that might be manufactured, if not it would have been good to have some sense of the source which would have added more depth. Closed 2 November 2025

Clever exhibition at the Royal Academy examining the influence of Van Gogh on Anselm Kiefer. I’m glad I’d done a lecture on the topic as the connections weren’t always clear from the blurb. They not only look at similar subjects of rural life but at 18 Kiefer undertook a tour of places Van Gogh travelled and studied his technique. I love the monumentality of Kiefer and the paintings looked great in the space but they dwarfed the Van Gogh’s which were mainly corralled in the central room. It might have worked better to show the Van Gogh’s first then open up into the Kiefer. There was one Van Gogh after Millet which created a nice link to the two shows at the National Gallery at the moment and I guess therefore a link from Millet to Kiefer. Closed 26 October 2025 Reviews Times Guardian Telegraph Evening Standard

Fascinating online lecture from the National Gallery discussing the redisplay of the Sainsbury Wing following its recent refurbishment. Laura Llewellyn and Emma Capron did a wonderful double act taking us through the reasoning around the redesign and rehang. They started by looking at why the pre-1500 collection at the gallery is so strong but the problems of the old display including the traffic jams getting to the Arnolfini Wedding in the end room. They then looked at why they start the display with the Northern European work and the challenges in showing these largely small works and why the early Italian gold ground works are now in the far corner, opening the Italian chronology. Next we moved onto how they hung the ‘nave’ of the gallery to represent how the art would have been displayed in churches when it was new. Having visited several times I think this section is particularly successful. They looked at the two themed rooms they had created on nature and gold and discus...

Beautiful lecture at the National Gallery looking at how music was depicted in art in the Renaissance focusing on the role of the courts. I had enjoyed the first part of this series of talks so was pleased I could make the second and have how now booked the third. Belle Smith started with this painting by Lorenzo Costa from the gallery's collection and talked us though the instruments shown and the fact the subjects are singing. I know the picture well but had never thought about how the outer figures are tapping along to the music on the table. The lecturer for the next talk was in the audience and as a lute player he brought fascinating insight into the how the instrument is being played here, with figures rather than a quill plectrum, and how that was a new development at the time. The talk diverted a bit with the self-portraits of Lavina Fontana and Sofonisba Anguissolo who are both shown playing a spinet emphasising their ladylike status and intellect but his led to a dis...

Interesting small exhibition at St Martin in the Fields celebrating 150 years of the Pearly Kings and Queens. The show featured photographs of the current pearly kings and queens by Alex Kurunis displayed around the crypt of the church alongside some archive materials. I hadn't realised that the Original Pearly Kings and Queens Association has a close association with this church and it has been holding its famed Harvest Festival service there since 1940 and the statue of the Associations founder, Henry Croft is displayed in the Crypt. Closed 4 October 2025

Interesting exhibition at the National Archives of art works commissioned by the Government Art Collection to mark the Coronation of Charles III. The collection commissioned artists from all over the UK to create artworks reflecting the Coronation's significance to them and their communities. They were shown alongside the coronation rolls of Edward II and our current king. I loved Joy Gerrard's complex ink on canvas drawings of crowd scenes on the Mall and at Buckingham Palace based on a series of drawings some of which were included. My favourite piece though was Hew Locke's textile work of layered images of the Gold State Coach. I love Locke's work so was delighted to find a new piece by him. Closed 1 November 2025  

Fascinating, dense exhibition at the National Archives looking at the work of MI5 since its foundation in 1909. I say dense as being based mainly on documents there was a lot of reading with just a few objects however it was worth taking time over as it was packed with fascinating stories and I came away with lots to look up, such as the Woolwich Arsenal Spy Ring in 1938 as I live at Woolwich Arsenal. The show was arranged chronically with each section having an introduction, a selection of case studies, staff profiles of the prominent MI5 staff and an outline of the techniques and methodology used and was shown as if in an archive on shelves with case file boxes around the exhibits. As well as the Woolwich reference I found two other connections in the show. There was a section on Karl Fuchs, the atomic spy who was arrested at Harwell where my father worked. Some of his friends remembered Fuchs. Also there was a mortar bomb from the IRA attack on Downing Street in 1991 which I ...

Striking display at London Bridge Station, as part of the Totally Thames Festival, of large, collaged photographs of river scenes by Henry Reichhold. The views were of Henley Regatta and the Great River Race and were compiled of a montage of images capturing the complex event into one image. The large, freestanding display, had two large and two smaller images of Henley on one side which were full of people and action. On the other side, the river race is shown as an aerial view of lots of boats going in different directions against an oddly blue river. The display might have had more impact if a charity stall hadn't set itself up at one end making it a bit off putting to stop to admire and engage with the work. Closes 30 September 2025

Thoughtful online lecture from the National Gallery discussing the role of politics in art. To accompany the exhibition at the gallery Matthew Morgan blended a discussion on whether Millet’s paintings of rural life had a political meaning, as many critics said at the time, with looking at whether in general art can or should be political. It was interesting to see Millet compared to contemporary artists. He outlined the politics of 19th century France clearly pointing out where Millet’s art may reflect this even if Millet himself denied this. He also discussed whether the meaning was religious rather than political. As ever with Morgan’s quite open lectures, raising questions to think about rather than answers, lead to good questions from the audience which broadened the subject eve further.