Cathy's Art Diary

Interesting exhibition at the Garden Museum showcasing some of the gardens created by the Project Giving Back charity. The charity funds gardens for good causes at the RHS Chelsea Flower Show where it partners with other charities to create gardens which appear in the show and are then moved to permanent locations around the UK. There were pictures of a selection of the gardens with a description of the charity and the legacy of the garden which was created. Around the information displays were small features from some of the gardens. As an avid watcher of the annual Chelsea Flower show tv coverage it was nice to see an update on some of the gardens which I remembered. Closed 28 September 2025

Delightful exhibition at the Garden Museum looking at Cecil Beaton's gardens and the influence of gardens and flowers on his work. This show was beautifully designed by Luke Edward Hall incorporating his delicate murals reflecting Beaton's style. I had recently seen him do a similar response to the work of Oliver Messel at Glyndebourne and of course Beaton and Messel were friends. I will say though that I didn’t see the purpose of the tin foil in the display cabinets other than that they gave a sense of glitz. The coverage of the show was broader than I expected covering theatrical designs by Beaton which were influenced by flowers and portrait photographs which included them. I loved the inclusion of a set model for Turandot at the Metropolitan Opera House alongside headdresses from the Covent Garden version of the production. My favourite sections looked at the gardens he created at Ashcombe House and Reddish House and how he used them for parties and with friends. C...

Glorious exhibition at the National Gallery of the Neo-Impressionist collection of Helene Kröller-Müller. This show included many beautiful paintings. The Neo-Impressionists are the artists we might think of as pointillists which is s a style, I am fond of so I was so excited to see so many of the works together. The subjects were much broader than I expected. I tend to think of the pictures as landscapes, but I loved a room of portraits. I expected to see Signac and Seurat but new finds included the Belgium artist Theo van Rysselberghe and my favourite work in the show was this picture by him of five women in a garden. I love the way you can't see their faces. A lovely touch was to include two paintings inspired by works by Millet as there is also a small exhibition of his work in the gallery at the moment. These included a Van Gogh who wasn't a Neo-Impressionists but experimented with some of the techniques and he visited Seurat's studio. This is a show that work...

Useful lecture at the National Gallery introducing their exhibition of Neo-Impressionist works from the collection of Helene Kröller-Müller. The co-curators of the show, Christopher Riopelle, curator of post 1800 works at the gallery, and Julien Domercq, formerly of the gallery and now at the Royal Academy, talked us through the story of the collection and the context of the works in it. They explained how Helene Kröller-Müller started collecting in the early 20th century aided by the painter and architect, Henry van de Velde and how the design for the exhibition references the museums he built for her. She was also a collector of Van Gogh's and owned 90 of his paintings but started collecting the works of the Neo-Impressionists, which we might think of as Pointillists, and how she thought of the collections as the yin and yang of art, one full of passion and one calm and serene. They talked us though a simplified explanation of the colour wheel and how these artists placed ...

Delightful online lecture from the Victoria and Albert Museum interviewing Anna Robbins, costume designer for Downton Abbey. Robbins has designed for the last two series of Downton and the three films. One stage with her were some of the pieces from the latest film, which hadn't come out when the talk happened, and she talked us through the design process for them. She was ably interviewed by Emily Harris from the museum who got her to talk though how she gathered her ideas, how the outfits were constructed and how she used vintage pieces. She talked about how the clothes had to be historically accurate but were to be used in a world of imagination and had to reflect the narrative arch of each character. I was fascinated to hear how often one outfit then sets the palette for a whole scene with other pieces reacting to it. I now can't wait to see the film at the weekend! Stop Press: I have seen the film by the time of writing, in fact I’ve seen it twice, and loved it.

Interesting exhibition at the National Portrait Gallery as a result of their annual partnership project with six universities exploring contemporary portrait photography. For this partnership the gallery brings together curators and photographers with students via talks, workshops and tours and invites them to make their own work based on themes from the previous year's Taylor Wessing Photo Portrait Prize but these weren’t outlined. The show was in a small gallery so there was a disappointing number of works on show which they compensated with by three audiovisual displays, which was a bit much for the space. I would also have liked to know a bit more about the works in the av show as it was they were just interesting images. Closed 28 September 2025  

Excellent iteration of this annual exhibition at the National Portrait Gallery showcasing the shortlisted paintings in the competition for contemporary portraits. This year included a number of works which referenced art history as well as a number of hyper-realistic pieces which I loved. These included Simon Thomas Braiden's beautiful portrait of impresario, Philip Sallon in a wonderful turquoise outfit. I always find themes emerge and this year it seemed to be age and in particular dementia such as Paul Wright's large painting of his mother in a room of objects reflecting her life in bright colours. As ever there were also some great self-portraits such as Comhghall Casey's close up. My favourite this year, and I admit I am quite shallow, was Jose Antonio Martinez Santos's portrait of a fireman sitting on the running board of his engine. It dominated the room with its detail and direct gaze. A close second was Dide's "Portrait of a Sculptor" showi...

Small exhibition at the National Portrait Gallery showcasing new photographic portraits created by secondary school students as part of the gallery's Law Photography Programme for Schools.   I hadn’t realised the gallery has a photography studio and the first selection you saw were taken in the studio by students of their friends. In this and the other sections, the photos were accompanied by a small piece written by the photographer explaining what the sitter meant to them. Other sections on teachers and family were photographed in the schools and at the students homes. The works were of a high quality, and the descriptions were moving. Closed 28 September 2025

Baffling exhibition at the Photographers' Gallery looking at the effects of AI by Felicity Hammond. I'm afraid I didn’t understand this show and found the description impenetrable. I got that AI is based on the images which you feed into it and that after a while it starts to feed in the images it has created itself into the algorithm but I didn’t get how this then led to broken up images or to then grasp how the works I was looking at represented this. I did watch the accompanying video as well as was none the wiser. Sorry. It possibly didn't help that this was the third in a series of four exhibitions called "Variations" by Hammond on the topic each of which fed into the next. Maybe by not seeing the progression I was missing something. I quite liked the installation at one end of the gallery but have no idea what it meant. Closed 28 September 2025

Interesting exhibition at the Photographers' Gallery looking at the career of Dennis Morris. Morris came to the UK from Jamaica with his mother in the 1960s and from an early age began taking photographs of the people around him in Haringey both on the streets and in a makeshift studio in their home. I loved these early insightful works. In 1973 he went to see Bob Marley at the Speakeasy club and they struck up a friendship which led to Morris leaving home and school to tour with Marley and take iconic photographs. These ranged from iconic images for album covers to impromptu pictures of Marley relaxing. I liked this one of him smiling. Later in the 70s he was invited by John Lydon (aka Johnny Rotten) of the Sex Pistols to document the bands rise to fame and half a floor of the show was devoted to this period. On the 3rd floor of the gallery, in the media gallery, there was a display of album covers and mechanise which features images taken by Morris. Closed 28 September...

Luxurious exhibition at Bonhams to mark the auction of the contents of Kerfield House. The pieces were shown in room settings against hand painted wallpaper by Gournay and some pieces were used in the Downton Abbey exhibition downstairs. There was a strange mix of ornate French 19th century pieces and modern Italian furniture, but it worked well together. I loved this lacquer cabinet by Piero Fornasetti.   Closed 10 September 2025

Fabulous exhibition at Bonhams of costumes and props from the Downton Abbey series and films which are to be auctioned. Having just watched the series and first two films again I was so excited to see this and it didn’t disappoint. There were two large rooms, one for upstairs and one for down. The clothes and objects were arranged in tableaux. The costumes were fabulous and it was like seeing old friends. From Lady Sibyl’s hareem pants, through the iconic wedding dresses to Lady Edith’s London business dress it was all beautiful. I loved a display of maids off duty clothes hanging up. The attention to detail in the faked documents was wonderful. I’m sure many were never seen close up in the series but they had the words which were read out on them and all the correct headings and stamps. They even had Marigold’s birth certificate which I don’t remember seeing at all.   Closed 16 September 2025 Reviews Times Guardian Telegraph Evening Standard

Enlightening exhibition at Buckingham Palace as part of the summer opening of the palace of works by artists commissioned by King Charles to accompany him on official tours to record them. The pictures belong to the King's private art collection and feature of a variety of artists he has commissioned since 1985. Their brief is to draw or paint whatever inspires them on the trip. Forty-five artists have now been involved over seventy trips to ninety countries. The work was quite conventional but reflected the King's taste. They seem to amount to posh holiday postcards. My favourite was this work by Phillip Butah of an elephant sanctuary in Nairobi. Closed 28 September 2025 Reviews Times Telegraph

Interesting exhibition at the Courtauld Gallery of drawings by Lousie Bourgeois. The show featured works from the 1960s and highlighted Bourgeois daily practice of drawing. These works come from a period following course of psychoanalysis and a hiatus from the art world. The drawings echo her sculptures on show in another show in the gallery at the time as well as the curves of landscapes and bodies. They also move from a monotone period to using more colour. I didn't find myself responding to the works but I loved the quotes from Bourgeois on drawing such as "the drawings allow me to pinpoint and define anxiety. And to turn it at least into fear." and calling drawing "thought feathers".    Closed 14 September 2025

Charming exhibition at the Courtauld Gallery featuring some star works from the Barber Collection. This is the second show of works from the Barber Collection in Birmingham which I have seen recently as it is currently being refurbished and its collection is on tour. This selection was a wonderful who's who of artists and formed a good overview of art history. From a small Bellini to Degas and Toulouse Lautrec there were many moments of meeting old friends and works I have seen in so many online talks. It was a lovely touch to show three works within the Courtauld's main galleries to highlight links between the two collections. A particularly good hang was the bringing together of two versions of an "Ecce Homo" by Van Dyck next to each other to give the opportunity to compare and contrast.   Closes 22 February 2026

Baffling exhibition at the Courtauld Gallery of work by three female artists of the late 20th century. I found the concept of the "abstract erotic" wasn’t well explained and got confused with the idea of "eccentric abstraction" both coined by American art critic Lucy Lippard. As far as I can tell both involved the use of unex cepted materials and often took a sensual approach to abstraction. The first room contained works by all three artists to illustrate this. The second room devoted a section to each artists, Louise Bourgeois, Eva Hesse and Alice Adams, with an overview of their career and was more approachable. Closed 14 September 2025 Reviews Times Guardian Telegraph

Strange installation in the Edmond J Safra Fountain Court at Somerset House by Tai Shani. The main work was a giant, blue, sleeping, princess style figure in a glass box. As you got close to it you realised it appeared to be gently breathing. Reading the blurb it was meant to represent an archetypal, fairytale figure who has slept through the violence of colonialism, economic inequality and environmental collapse. I must admit I don’t think I would have understood any of that from the figure but I did find it quite mesmeric and compelling. The work was accompanied by a radio channel interviewing people on new ways of being collectively and a flag on the top of the venue. Closed 14 September 2025 Review Evening Standard

Charming small exhibition at the National Gallery focusing on Jean-Francois Millet to mark the 150th anniversary of his death. Although the show was in a small room it was packed with paintings and drawings mainly from the UK but with a star appearance of “The Angelus” from the Musée D’Orsay. All the pictures were rural scenes of peasants. The works were intimate and well observed and painted in a thin but expressive style. The working figures were given a monumental dignity even in the smaller works. I liked the way the commentary concentrated on the picture you were looking at, describing the work being shown and the techniques being used. It avoided any political discussion of the work which I have heard expounded in some lectures.   Closes 19 October 2025 Reviews Times Guardian

Delightful small exhibition at Glyndebourne Opera House by Luke Edward Hall responding to the sister exhibition on Oliver Messel’s designs for the company. The main work was an imagined small backdrop in the style of Messel alongside six watercolours. I loved the delicate colours and Rococo styling. I had seen Hall talk at Charleston Festival last year, so it was I interesting to see another aspect of his work.   Closed 24 August 2025

Small display at Glyndebourne Opera House marking Pablo Bronstein’s design for the cover of this year’s programme. I love Bronstein’s work so was excited to realise the cover design, featuring ornate opera glasses, was by him. Now, at the end of the season, I have become very familiar with the programme so it was good to learn a bit more about it. It was shown with four drawings by Bronstein from a series titled “Gilded Keyholes” (2013), shown here for the first time in the UK which are like a theatre set in their construction. Closed 24 August 2025

Charming exhibition at Glyndebourne Opera House exploring Oliver Messel’s designs for the company in the 1950s and 1960s. The show had a selection of design drawings and posters as well as costumes and props. Messel is a designer who keeps cropping up in strange places for me so it was a welcome addition to add this one. As well as designing for the stage it was In Messel’s house in London in 1951, that the Glyndebourne Festival Society was launched and he was also instrumental in the creation of the Glyndebourne Festival Programme Book, designing the cover for its inaugural edition in 1952. Closed 24 August 2025

Interesting small exhibition at the British Museum highlighting a recent bequest of 30 works from the collection of Nina Drucker. A selection of the works were shown here alongside other works from the museum's collection which Drucker was known to have seen or which compliment the bequest. The works include pieces form the 19th century but were strongest in the 20th century pieces. My favourites were the works by C.R.W. Nevison whose work I love but these were not the style we usually associate him with. I loved the scenes of the Thames, two of which seemed to be a tribute to Monet's paintings of the river and I suspect they were even drawn from the same hotel room at the Savoy or are a reimagining of those works as another in the series is definitely an imagined view. There were also some lovely John Mintons and a fun watercolour by Sir Muirhead Bone of people at the seaside. Of the earlier works , course I loved a watercolour of Greenwich Hospital by John Lessore and ...

Fascinating exhibition at the British Museum focusing on the collection of Richard Payne Knight which was bequeathed to the museum in the early 19th century. There were some amazing works particularly a Michelangelo, a Raphael and a Mantegna but as interesting was seeing the contemporary art of his time which he collected and how he brought his aesthetic into planning the park of his estate. I loved a number of works by Claude Lorrain and evidently the bequest included 246 studies by the artist. Payne Knight travelled extensively in Italy and he must have found these very evocative of the landscapes he saw there. There was also a lovely set of contemporary drawings by Thomas Hearne of Payne Knight's Herefordshire estate, Downton Castle. In the grounds of the estate he developed ideas of the Picturesque in the landscape. The show also included work by other artists who the collector had supported, John Hamilton Mortimer and John Robert Cozens who travelled with him to Italy...

Charming exhibition at the British Museum focusing on drawings by Watteau from their collection. These were delightful, delicate works. They explained how Watteau would draw the people around him in the streets and reuse and combine the images in his paintings. He also produced finished drawings for collectors. As ever in the print galleries the labels were clearly written and explained Watteau's use of drawing but also used the chronological display to outline his life and career. I felt I came out of the show appreciating Watteau a lot more as I sometimes find the paintings a bit twee. My fact of the day was that he was born in an area of France which had been Flemish and there is a real feel of Dutch genre scenes in his him work. Favourites included this lovely back view and the way he uses the stripes to reflect the shape of the body below and this picture of two maids which he drew when in England for a year. Closed 17 September 2025

Sublime exhibition at the British Museum looking at the work of the 19th century Japanese print designers, Utagawa Hiroshige. I love Japanese prints and these were some of the finest I'd seen. I'd done a lecture on it a few days before which proved helpful to have an outline of narrative for the show already. The labels were clear and simple and told you a lot more about the places you were looking at. I would have liked to know a bit more about the block cutters and printers as they are as much a part of the magic as the designer. The example of a block they did has a very shallow cut and you can't image it producing such beautiful images. I think this may have been explained on videos but they were quite small and caused bottle necks. I the inclusion of a section on designs for fans and it explained that these were very fashionable items which would have only been used for a season. I loved the variety of images for them and my favourite was this wonderful picture ...

Small exhibition at the British Museum showing three statues from three different ancient cultures. The show marks a collaboration between the museum and one of India's leading museums, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), highlighting the Mumbai museum's ambitious Ancient World Project. These three statues from Egypt, Greece and India would not normally shown together but the display aims to make comparisons with the varied ways ancient civilisations imagined the divine in physical form. I did find the show felt quite thin. It just showed the three statues with a few questions around the walls about the nature of museums. A beautiful display but I wanted more meat. Closes 11 January 2026

Fascinating online lecture from the National Gallery introducing their exhibition on Millet. Sarah Herring outlined Millet’s career and in particular the role of his paintings of rural life. She talked about both what influences him and then later how his work inspired the next generation of painters including Van Gogh. She also described the political landscape of the time and how these works were viewed the 1848 revolution. She then went though the paintings in the show emphasising how all but one are from British collections. I have since been to the exhibition and this was a really useful introduction as the show is quite small.

Innovative exhibition at the Design Museum looking at all aspects of design for swimming. This show combined many types of design from performance wear, through fashion and architecture and social change. It was cleverly divided into sections based on where people swim, pool, lido and in nature. It covered both sporting and leisure aspects of swimming. I liked that it covered such a lot of ground and was designed with sustainability front and centre. However, at times it was hard to match the objects to their labels and in one case I tracked it down to he opposite side of the display case. My favourite objects were the swimming costumes, and the show explained changes in technology and design well. It was of course fun to see celebrity items like Pamela Anderson’s Baywatch swimsuit and Tom Daley’s Speedos alongside a jumper he’d knitted. Favourite fact? That the bikini is named after   Bikini Atoll, site of American nuclear test explosions! Closed 17 August 2025 Review...

Surprisingly good exhibition at the Royal Academy showcasing and celebrating the creativity of young artists. I say surprising as, when I hear the words children's art my heart sinks, but this work was so interesting and of an amazing standard both in technique and imagination. Shout outs to "The Challenges of History" by Beatrice aged 18 addressing issues of racial equality in a patchwork of historical scenes, Millie's detailed painting of a string shopping bag full of branded groceries   commenting on consumer culture who was again 18, the quirky wall sculpture "Eggs on Toast" by Holly aged 16 and a special mention to Nia aged 7 for her expressive painting of a tree. I think my favourite was this picture of the head of a chicken by Erin aged 15. Settling it against a blue background gave it the feel of a Renaissance portrait! Closed 10 August 2025

Small exhibition at the Royal Academy of work by Lyndon Barrois Jnr. Barrois is the current holder of the Starr Fellowship, a one year's residency at the Royal Academy Schools. The show borrows from film making to create what he describes as "static filmmaking".   Evidently, his work alludes to a heist at a museum but I must admit that passed me by. The work consisted of small, beautiful portraits mounted on camera stands alongside groups of drawings of museum objects around a candle. They looked good in the space but I'm not sure they needed to be an installation. The works would have stood alone. Closed 17 August 2025

Fresh iteration at the Royal Academy of their annual summer exhibition. I have found the show has been getting a bit tired and samey in recent years but this year, with just a few tweaks, it feels fresher and more open. They haven't reinvented the wheel just adjusted it a bit. Changes including mixing up the artistic and architectural work making the architectural pieces easier to see and digest. They have also altered the direction which you go round which strangely makes you look at the rooms in a different way. I think my favourite object was this tiny organ made from a hymn book by Jane Hewitt and my favourite painting was by "I Don't Want to Talk About It" by Frances Featherstone, a figure in blue striped pyjamas and blue striped bed sheets. However I also loved this tiny painting called "View from the Loo" by Katherine Lees and another small poignant work by Pavel Isupov "Self-Portrait at Immigration". Both works held their own among th...