Cathy's Art Diary

Interesting exhibition at Glyndebourne Opera House of work by contemporary artist Sara Berman responding to their new production of "Billy Budd". Berman is a former fashion designer, now painter, who was given access to the costume department over the past year, and it draws from the costumes and elements of the set. The show consists of large-scale paintings and smaller drawings both of her in some of the costumes and others of tangled rope. Evidently the latter explore themes of vulnerability in the opera. The work also included some text based pieces Berman made when she was housebound   following major surgery in the Autumn where she used a child’s printing set to stamp build abstract works made up of words from the libretto. I loved the images which looked good in the space. I have yet to see the opera so may reassess the work after I've seen it but for now it served as a good trailer for it and I am looking forward to seeing it in a few weeks. Closes 30 Aug...

Touching exhibition in the Organ Room at Glyndebourne Opera House of a selection of costumes worn by Dame Felicity Lott. I say touching as since the display was planned Dame Felicity Lott has died. The display was organised with her to mark the auction of a number of her outfits in aid of   Friends of Sussex Hospices in October. As she was involved in the show the descriptions of the outfits had been written by her. There were five outfits displayed in the fireplace including a kaftan made by Glyndebourne’s costume department, worn at the BBC Proms, and a military jacket designed by Laurent Pelly, director of this season’s Ariadne auf Naxos. This was a lovely unintentional homage to the singer who had often sung at the opera house and who lived nearby. Closes 30 August 2026

Interesting online lecture from the National Gallery looking at their Stubbs exhibition as it came to an end. Aliki Braine discussed the place of Stubbs in the National Gallery with the iconic “Whistlejacket” bookending one end of the longest vista in the gallery. She described him as “A place finder for visitors”. I hadn’t realised that he’d only been acquired by them in 1997. She discussed whether we can consider “Scrub”, the focus of the show, can be considered to be a portrait of a horse, looking at what she felt constitutes a portrait and concluding that it can be. She also looked at the two other projects represented in the show, Stubbs book on the anatomy of the horse and a series of portraits of all the thoroughbred horses over 50 years, a project which failed. This was an interesting lecture but very similar to others I had done on the show. I’d like to see these talks at the end of shows having more of a sense of reflecting on what had been learnt from seeing the wor...

Exquisite exhibition at the British Museum of Netherlandish drawings from 1400 to 1600. I love this period in Northern Renaissance art and this show didn't disappoint. Starting with the early works done as preparatory studies for workshops through to drawings made as works of art in their own right, they were shown with excellent explanations. This initial trip was a fairly quick one but I still managed to photograph most of the works! I'll definitely be going back particularly as I'll doing a course on it in a couple of weeks. The works were beautifully shown in the Print Room Gallery which gives you a shelf to lean on to study the detail, and what a lot of detail there was! I think my favourite was a procession by the workshop of Roger Van de Weyden with stunningly real faces. I also liked two kneeling ladies from the workshop of Hugo van der Goes. From the later period I loved a portrait of a older lady by Frans Pourbus and a print design by Pieter Bruegel the Eld...

Fascinating exhibition at the British Museum introducing the planned memorial gardens for the late Queen in St James's Park. The display had good illustrations and explanations which were shown with maquettes of the planned statues and sculptures as well as one of the park itself. I loved the one of the Queen and Yinka Shonibare's Commonwealth Wind Sculpture. My one complaint is that it was shown in the historic Reading Room which was full of tourist groups being lectured to about the room who seemed unaware of the exhibition and swarmed around it. It would have been a better experience if it had been shown in a different space. Closed 21 June 2026

Wasted installation at the British Museum to anticipate the arrival of the Bayeux Tapestry in September. The work was outside the main entrance to the gallery and consisted of trees and plants typical of East Sussex where the Battle of Hastings happened. They sat on hessian-wrapped rootballs in the colours of the tapestry. The work was designed by Andy Sturgeon. I say wasted as the space was too busy for the work, so it was very hard to see it. It was swamped by tourists and I suspect most of them had no idea that it was a temporary art work. It was such a good idea but it might have been better to place some of the trees in a cordoned off area so you could actually see them. The best area was the flowers along the top of the steps. Closed 2 June 2026