Posts

Richard Dadd : Beyond Bedlam

Image
Fascinating exhibition at the Royal Academy on the 19th century artist Richard Dadd who spent a large part of his life in Bedlam and Broadmore. I knew Dadd from his fairy pictures but the exhibition showed that there was a lot more to his work. I knew he had been in Bedlam and had assumed the fairy works were from that period but many of them were from before when he was painting scenes from Shakespeare. He also travelled widely in the Eastern Mediterranean with his friend Sir Thomas Phillips and here were beautiful sketches from the period which he later developed into paintings. However it was sadly on this period that he began experiencing psychosis and sadly murdered his father thinking he was a devil. He seems to have been well treated and liked by the staff at Bedlam and a number of them seem to have commissioned work from him for themselves or the hospital and he painted portraits of some of them. A large section was devoted to a series of figurative watercolours includ...

Summer Exhibition 2026

Image
Excellent exhibition at the Royal Academy for this annual show of contemporary art. As ever there was a great eclectic mix but I felt there was more figurative and landscape work and less abstracts. In particular we spotted lots of pictures of dogs which of course appealed. I liked the way the architecture pieces were spread throughout but with a concentration in the last room which gave those works more space than usual. I think my favourite works were two I saw early on, screenprints of chandeliers by Clare Woods which on first viewing read like bouquets of flowers. I also loved a fun collage print based on Flaming June with added Sainsbury bags by Anna Grayson entitled "Flaming June the Bag Lady". The show ended in the central octagonal hall which had some brilliant pieces particularly Ryan Gander's   gold mirrors with marble veils hanging over one side and two arresting large portraits by Pauline Olowska. My favourite sculptural work was a pair of silverplate...

Introducing The Bayeux Tapestry

Image
Excellent clear and fun online lecture from the British Museum introducing the tapestry and the forthcoming exhibition. Curators Michael Lewis and Sue Brunning led us through ideas about how, why and for whom it was made then Lewis took us through a basic outline of the story. I have since done a more detailed dive with him in another lecture. I have heard him talk before and he makes the story come alive. Brunning then explained how they only had one year to prepare the show when an exhibition of this type would usually take about five. She led us through the structure of the exhibition giving a good idea of what to expect when you go. As an exhibition nerd I found details like the fact the display case is the longest ever made fascinating. I have yet to get to the show as I am currently away but have my two free member trips in the diary for my return and I can’t wait!

Floating Together

Image
Disappointing installation/sculpture outside the Royal Festival Hall by Malak Mattar in response to World Refugee Week. Mattar based the work on her experience of growing up by the sea in Gaza and how its meaning changed from a place of happy childhood memories to a place from which many people cross the sea to find a better life. The work blends these experiences and was made with the collaboration of young people from Greece and Ukraine. I say disappointing as the description, which I read before I saw the work, seemed to imply a larger and more complex piece but in fact the work recreated a pile of children's giant buoyancy aids which was placed on the roof of the temporary summer bar. I realised I had seen it before and dismissed it as a decorative feature. Closes 21 September 2026

Tonic Flow: A Communal Chorus in Colour and Sound

Image
Fun installation outside the Royal Festival Hall by Lakwena Maciver and Abimaro Gubell. The work consists of a brightly coloured pavement and a soundscape which you can add to via sound boxes with large coloured buttons which create sounds you can start to mix as you play with them. I had to have a go on each of the boxes. Evidently it is encouraging us to think about "how creativity and play can nourish us" and it certainly gave me a moment of delight on a sunny day. Closes 20 September 2026

Anish Kapoor

Image
Exciting exhibition at the Hayward Gallery of a selection of work by Anish Kapoor. I love the way Kapoor’s work alters the space around it and creates optical illusions. In this case the first work you see is a huge red inflatable which takes up the whole first gallery and blocks the usual route around the space. When you work your way to the other side via various other spaces it is blocked again by a series of smaller red balls. One room is devoted to his works in the deep black to which he has exclusive artistic rights, Vantablack which absorbs 99.6% of light. Painted on walls it gives a sense of a deep hole and on objects it flattens the shape. People stop and stare and seem to be drawn into the work although others just take selfies. My favourite pieces were the highly polished sculptures on the terraces which both reflect and distort the space around them. Closes 18 October 206 Reviews Times Guardian Telegraph

The Sun and the Moon : Art Inspired by the Celestial

Image
Clever and varied exhibition at the Saatchi Gallery looking at art inspired by the sun and the moon. The work was arranged by time of day and mixed old and new art from around the world as well as discussing folk law related to the time. It was a lot to do in one show which was well laid out with clear commentaries. There were witty touches like including a large photograph of Noel Coward on a beach for the zenith ie midday section. Think about it. Stand out works of course included Luke Jerram's "Helios" which I last saw at the Old Royal Naval College and it's always fascinating to see it in different spaces. I loved an Evelyn Dunbar of seven figures representing the days of the week at different times particularly as this was the second time I'd seen work by her in a week. I liked the inclusion of costumes from the Royal Opera and Ballet as well as Margo Selby and Helen Chadwick's woven and sound installation referencing the Navajo women weavers who c...