Black to White and Back Again

Stylish exhibition at London Glassblowing featuring glass works in black and white organised with the Contemporary Glass Society.

As glass is clear works in black and white were actually coloured and it was an interesting take to see what a number of craftspeople could do with this limited palate. Traditionally black and white is seen as monotone but the variety of finishes seen here gives a complex view of the material.

I loved Philippa Beveridge’s feathers and Tracey Nicholls square lace effect plaques. Also Stephen Foster’s Diamond Rock, a diamond facetted clear piece which glinted in a wonderful way. If memory serves it was set off by a white under surface. My favourite though was Jean-Simon Trottier’s piglet trotter drinking glasses in opaque white glass. What’s not to love?

Closed on 8 October 2016.

 

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