Out There: Our Post-War Public Art

Interesting exhibition at Somerset House organised by Historic England looking at work in the public realm since the Second World War.

This show had a good balance of real objects, document s and photographs. It highlighted the role this work had played but also at the current vulnerability of the work.

The first section looked at the Festival of Britain and the work commissioned for that. There was a lovely selection of marquettes of the pieces as many of the originals had been made in cheaper materials with no idea of them having a life after the exhibition. Particularly interesting was a model for Miranda by Arthur Fleishmann which had formed a fountain in the display for the Lockheed Hydraulic Brake Company display.

I liked the section on Harlow new town which has 65 integrated art works around the town including a number such as Elizabeth Frink’s Board which have recently been listed.  Also the section on how the Ministry of Education encouraged schools to allocate a small amount of their budgets for commissioning new work.

There was a very interesting section on a scheme in the 1970s which hadn’t worked where 8 cities were lent large works however many of them were vandalised and only one of the 16 lent was eventually bought by the city! I loved the story of a giant gorilla which is evidently now in someone’s back garden,

At the end there was a board showing works which are now missing and others which have been listed.

Closes on 10 April 2016.

Reviews
Guardian
Evening Standard

 

Comments

Post a Comment

Popular posts from this blog

Sky Arts Portrait Artist of the Year Exhibition 2019

Image
Delightful exhibition at Clarendon Fine Art showing pictures from the Sky Arts Portrait Artist of the Year TV series. I had loved the series which had set nine artists, both professional and amateur, to paint one of three celebrities. It then had a semi-final and final with them all looking at one sitter and in the final they also took on a commission. I loved the way you watched a picture build and how some were then made or spoiled by one stroke of paint.   Finding these pictures I knew so well in the flesh was therefore fascinating. None of them disappointed. My favourite artist from the final, Tom Mead, works looked just as good in real life if not better as you could see the detail. The show included his impressive self-portrait which he submitted to enter the competition, a wonderful fragmented picture of his reflection in a mirror giving a sense of movement. I loved that it included a large version of him and a miniature. His commission for the final of Jazzie B was
Read more

Thomas Becket: Murder and Making of a Saint

Image
Stunning exhibition at the British Museum on the life and afterlife of Thomas Becket. I studied Becket both at A Level and at university so I was really looking forward to this show and it did not disappoint. From walking in to see an old friend, the early Limoges casket showing the murder from the Victoria and Albert Museum, I was gripped. The show told the story well using fantastic objects and led you through his life, the murder, the political aftermath, his sainthood and miracles, and how Canterbury became a major pilgrimage site. It is hard to pick out the best objects as so many were wonderful. I loved that they had early copies of some of the five eyewitness accounts of the murder which made you fell you were almost touching the event. I liked the manuscript on his time in exile which was almost like a comic strip. How wonderful to get a 13th century font from Sweden which shows how far and how quickly the news that Henry II had integrated the murder spread. I think my
Read more

Courtauld summer school day 1

Image
Today has been my first day of this year’s week at the Courtauld Institute’s summer schools. This year I am doing “Painting in Renaissance Venice” which is being led by Michael Douglas-Scott. It was nice to see some familiar faces and there are at least five of us who did Michael’s course last year. Today has been two lectures. Firstly setting out the background of Venice in this period looking at how the city had set up a myth of itself, the role of the Doge. the nature of the Republic and the role of citizens. The second lecture looked at why the nature of Renaissance was different in Venice. There was still a sense of the coming of antiquity and humanism but in Venice it fused with the Gothic and Byzantine rather than replacing it. The day ended with a choice of gallery talks. I went to one on the second floor of the Courtauld on the coming of Modernism. In essence it looked at the Impressionists and discussed what they were reacting against and what themes they portrayed. All in a
Read more